B967-PR1
Hanging A Hammock Between Death And The Abyss: A Götterdämmerung Of Kitsch
Copyright © by
Phil Rockstroh, 8/5/10
Given the level of cultural
absurdity at large, both the commercially tormented landscape and the mass media
dominated mindscape of the United States seem a Gogol goof-take.
If a person had traveled forward
in time, arriving from even the recent past, of say, twenty-five to thirty-years
ago, and looked upon the present day United States -- he would have thought he
had entered some alternative universe inhabited by deranged grotesques.
Resembling a dadaist reality television program, a sizable portion of the
populace of the US (save our ugly, contemporary, sweatshop-assembled clothing)
could pass for George Grosz or Max Beckmann caricatures from Weimar Republic
Germany.
In the few public spaces
remaining, the time traveler would encounter an over-weight, ill-informed
citizenry, staring, compulsively, at hand-held electronic appliances, as if the
actual world, on the other side of the small, glowing screen, held no interest
for them. He would bear witness to an age when mass media imagery has crowded
out and colonized almost every area of life, both public and private, and is
peopled with caricatures of willful ignorance and brainless self-regard such as
Sarah Palin.
As is the case with individuals,
every era is endowed with a distinct character, something near a personality,
all its own. If that personality could, over time, gain a sense of
self-awareness, our own would blush in embarrassment viewing Palin ... Preening,
sputtering her word salad palaver, resembling an aging prom queen turned
infomercial spokesmodel and speaking as though she acquired the English language
from shredded scraps of speeches by Ronald Reagan and random bits of Bazooka Joe
bubble gum comix, she is possessed of such an extreme degree of incomprehensible
self-regard it seems a form of derangement.
In little danger of gaining
self-awareness, Palin both characterizes and is a caricature of the era:
obsession with power and celebrity, mindless memes, and the endless, contrived
drama and meaningless denouement on display in the short attention span theatre
of corporate and social media -- all its devices and collective derangement --
that are reactionary in the shunning of substance and the determination to
remain devoid of the deepening implications of human interaction. Ergo, these
traits and characteristics are reflected in Palin and vice versa, then back
again, ad infinitum, like distortions in carnival funhouse mirrors.
Does one get the feeling that the
more powerless we feel, collectively, about the rising levels of economic
exploitation exacted upon us and the accelerating rate of ecocide committed on
the planet by corporate oligarchs, the more celebrity "news" and other
tropes of empty distraction and denial will froth forth from the idiot
imaginings of the pop culture douche-scape?
In our time, the understanding of
the intrinsic value of almost every endeavor is reduced to the crackpot realism
of its commodified and practical worth. In the popular imagination, manic
commercial come-ons dominate the day, in which, images of beauty, as well as the
force and foibles of human character, has been hijacked and appropriated for
strictly commercial exploitation. Naturally, those who long for beauty in human
or divine form turn away in mortification, and, more and more become possessed
of compensatory prayers for the destruction of this empire of commercial
vacuity. As the mind is ground to spittle in the gears of the corporate
wheelhouse, one may begin to dream of, even yearn for, apocalypse -- a longing
for a Götterdämmerung of kitsch.
For many years now, we have been
witness to cultural fantasies (both of the religious and secular variety) of
decline, decay, of even the end of civilization itself ... that are, perhaps, a
collective wish for the taut bindings that modernity places on the psyche to be
loosened. The modernist towers must fall; then our insular, nature-denuded mode
of mind will be pulled down from its lofty precincts into the élan vital of
primal dirt ... There, the sterility of the collective, corporatized mind will
meet its end, and reborn passion and vital imaginings will bloom like wild
flowers in a post-apocalyptic strip mall parking lot... This is what, I suspect,
lies beneath our fascination with apocalyptic scenarios. In these contemporary
deluge myths, the hyper-commercialized and commodified psyche, befogged by its
own convoluted libido, once destroyed, is now free to start life anew.
Concurrently, in the fundamentalist Christian imagination,
narratives of consumerism and End Time Mythology interweave and meld, becoming a
gospel of instant gratification and imminent destruction ... This is a religious
cosmology resonating from a junk food paradigm: The Gospels of The Drive Thru
Jesus; when The Rapture comes, our corporeal bodies will be cast aside like fast
food wrappers.
But be warned, by eating of all that high caloric food, all of you Jesus-hungry
Lard Asses of The Lord: If your clothes were to fall from you (as your
prophecies claim) as you rise skyward, the sight of all your fat, sagging
bodies, floating in air, will resemble anything but the dawning of eternal
paradise — instead the event will more likely resemble an endless tape loop of
a porno video for fat fetishists shot in a zero gravity chamber.
The narrative of fundamentalist Christianity has become so encumbered with
kitsch imagery that its followers hope for the destruction of the planet
itself so that they can escape the soul-defying imprisonment of its creepy
dogma.
Hence, the modernist conundrum is:
how does one retain the depth and resonance of myth, without concretizing it
into a pernicious, fundamentalist death cult? Judaism, Christianity, Islam --
the myths of the jealous, desert god -- present a problem, because they place
the answer in heaven i.e., far away in a sterile paradise ... The gods of the
earth have been cast-out as sinful. Hence, those religions become so obsessed
with a fantasy of purity that earth-dwelling and subterranean drives and desires
-- that were symbolized, for example, by the Greeks as the gods Hermes, Pan, and
Hades -- appear to Christian believers as Satanic.
In other words, Christians, Jews
and Muslims, with their gaze fixed on heaven, view their earthly, human half as
demonic. Moreover, by becoming split-off from their human half, followers of
monotheistic belief systems are prone to suffer all the ills they attribute to
the devil. Satan does have a "wide stance" after all.
This is a view of the world devoid
of nuance: it is a cosmology inhabited by angels of light or musky demons of
darkness ... In the fantasy, there exists no Orpheus to fuse the two worlds in
entrancing song ... no Hermes to guide the hero into the realm of keening and
kvetching shades ... no Persephone -- her lips lacquered in pomegranate juice --
metaphorically ending the stasis of collective human childhood with the
implications of all life's seasons.
In its monotheistic view of the
world, these fundamentalist fantasies are comparable to logic-clutching, dry as
dust, modernist narratives, because both perspectives are so confining, so
stultifying to the heart and mind of an individual, that their adherents grow
obsessed with fantasies of the world's demise as a way of escaping the confining
nature of the belief system itself.
Accordingly, we, as a culture, may
just get our wish. Beauty and mortification are the language of the soul. If one
ignores beauty, then the mind will begin to dwell on beauty's hidden half:
horror. One will see it everywhere. Hamlet laments:
O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely.
--Hamlet: Act 1, Scene 2.
William Shakespeare
There is an abiding bleakness
present in the hidden half of the hyper-commercialized psyche -- a darkness
visible; therein, one must gain a willingness to walk through, even pause, for a
time in its stark and repellent landscape ... In order not to crackup, one must
crack-wise ... to hang a hammock there, between death and the abyss. Apropos: in
polar contrast to the froth, faux urgency, and con artist flattery of mass media
imagery, one must be willing to accept the deepening effect of being powerless
before the trajectory of history and the proliferation of human folly. Most of
the time, there are no solutions, only revealing questions and clear-headed
responses. For example:
Upon hearing Larry Summers, Obama’s chief economic advisor, bray,
"putting limits on growth because of some natural limit is a profound
error."
Bill McKibben replied:
"Summers is the perfect exemplar of that attitude: an incredibly smart guy
whose context is so narrow it ends up making him very dumb indeed."
In my opinion, what caused Summer's level of intelligence to plummet at a
Niagara Falls' grade incline can be traced to his unwavering fealty to the
tenets of marketplace fundamentalism. The crackpot realist’s notion that
nature has no value in and of itself, and is only worth what it can be rendered
down to as a commodity. The trees of a rain forest can be pulped to paper cups.
A human being is only the content of his resume.
This amounts to dharma for dimwits: A bio defines a human
being in the same manner and degree of veracity as a restaurant menu describes
the various slabs of meat offered ... commodified things that were once living
beings.
What Summers' view of existence
refuses to acknowledge is: The unsettling truth that what we inflict upon the
world we will eventually inflict upon ourselves. When we internalize a
self-destructive notion such as a rain forest is expendable –- only fit for
commercial exploitation -- then this is the demeaning manner in which we regard
fellow human beings. Moreover, it is an absurd and dangerous fantasy to believe
our species can have autonomy from nature, and we, for any extended length of
time, can have mastery over it.
Federico García Lorca imagined
this delusion of psychological separation from and mechanistic dominance
over nature and fellow human beings as follows.
The creatures of the moon sniff and prowl about their cabins
The living iguanas will come and
bite the men who do not dream,
and the man who rushes out with
his spirit broken will meet on the street corner
the unbelievable alligator quiet
beneath the tender protest of the stars.
--Excerpt from: City That Does Not Sleep
Sadly, from evidence extant, both
elite and hoi polloi of our era labor under this deranged perception. I reside
on the island of Manhattan and I'm baffled that so many of my fellow New Yorkers
(once a feisty, even belligerent breed) don't seem to care or even notice that
they are being gamed. Our billionaire mayor protects his class; we pay for their
follies, and they continue to grow richer. The game is so thoroughly rigged,
even when they contrive to immolate the global economy, we get "austerity
cuts," and they get on their Gulfstream jets and fly to Dubai.
As things stand at present, for
the corporate class, their actions seem to yield no consequences. All this
defies logic as well as gravity ... the invisible hand of the marketplace
(actually the buckling backs of the middle and laboring classes) can't hold up
their swaying tower of hubris much longer. But when it comes down, stand clear,
there are no bystanders when an empire crumbles. Despite Larry Summer's
pronouncements to the contrary.
Since poetic vision has no place
in Summer's view of the world nor offers a solution for its ills, he may never
seek counsel in what James Hillman has termed: the thought of the heart and the
soul of the world. Hillman's view of the world offers a shift in perspective
that could help restore our sense of beauty and tragedy, and, in doing so,
bestow us with respect for our own humanity and a greater reverence for living
things.
John Keats called earthly
existence and the suffering therein a "vale of soul-making." In other
words, we must descend into the human condition and into our own humanity in
order to grow humble enough to learn and adapt to change. For our winged spirits
must be forced out of their revelry of self-regard -- the intoxication of their
sky-shackled swoon of impersonal flight (privileged passengers of corporate jets
included) -- and be wounded by the conflicts and contretemps of this world and
thus become more human.
This development means the end of
grandiosity and the beginning of an appreciation of life’s grandeur. Sarah
Palin, Larry Summers, Mayor Bloomberg, and all the rest of the divas and
supernumeraries contributing to the opera-scale cognitive dissidence of the age,
will continue to belt out their crackpot realist arias, but, backstage, The
Second Law of Thermodynamics has just begun to clear its throat.
I'll give
the final word to Lorca:
No, I won’t; I attack,
I attack the conspiring
of these empty offices
that will not broadcast the
sufferings,
that rub out the plans of the
forest,
and I offer myself to be eaten by
the packed-up cattle
when their mooing fills the valley
where the Hudson is getting drunk
on its oil.
--Federico García Lorca
Excerpt from: New York (Office and Attack)
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